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August 7, 2009

Tucker's Galleria Part Three

by Jason Fischer

TUCKER’S GALLERIA – New Acquisitions
(catalog continues)

7. Collected Tears (artist: Nicole R Murphy)
glass jar, $5,700

Within this jar rests approximately 250ml of fluid, a collection of tears shed by hundreds of volunteers. Murphy has included the particulars of every participant, and notable weepers include a nun questioning her faith, a child who had just witnessed his dog being run over, and a murderer about to receive a lethal injection.

While the piece can simply be kept as is, Murphy’s intention is that the purchaser ingest the tears, or apply them liberally to the skin. For this reason a HIV/HEP B shot is recommended, and a waiver must be signed.

8. Ball’s Lexicon (artist: Peter M Ball)
bound volume, magnifying glass, $145,500

Noted demonologist and linguist Ball has compiled his life’s work in this hefty ledger. This lexicon was written over several decades, following a lengthy series of interviews with various dead souls, infernal beings and multi-dimensional observers from the Outer Dark.

The Lexicon is an exhaustive work, listing and referencing every single word that has been forgotten, fallen out of usage, destroyed by iconoclasts or purged by historical revisionists since the dawn of time.

While this may be of great benefit to etymologists and historians, there are several authentic (and dangerous) words of power, the actual names of demons, and several references to dangerous adverbs that are better off forgotten.

9. Database (artist unknown, attributed to the late Robert Hood)
data file, Toshiba notebook, $25,000.

This simple database returns a numerical figure to any query, however obtuse. Some queries found in Mr Hood’s search history include:

[How many prawns have I eaten during my lifetime?]
[What is the exact age of the Earth?]
[What is George Romero’s phone number?]
[What are the coordinates of Atlantis?]
[What is the exact date and time of my death?]

The accuracy of these results appears to be uncanny, or as in Hood’s unfortunate demise, perhaps self-fulfilling.


We at Tucker’s Galleria attempt to offer you the most outstanding new works, in media both unusual and unexpected. No refunds, no personal cheques.

July 22, 2009

Tucker's Galleria Part Two

by Jason Fischer

TUCKER’S GALLERIA – New Acquisitions
(catalog continues)

4. Potted Plants, A Trio (Artist: Jess Irwin)
Plants in terracotta pots, $153,000

Working in a faux bonsai style, Irwin presents us with immaculate cuttings from Ygdrassil, the Bodhi tree, and the Chankiri from the Cambodean killing fields. While not strictly bonsai, the artist has moulded miniature versions of these infamous trees into the timeless style. There are some responsibilities attached to the ownership of this installation as follows:

Incorrect trimming of Ygdrassil the World-Tree could result in various natural calamities, while destruction of the plant could possibly trigger either Ragnarok or a similarly destructive world-event.

The cutting from the Bodhi tree also needs some care. If the plant is butchered or neglected, specific knowledge will become forever lost to humanity. If the plant dies, a new Dark Ages will ensue.

The Chankiri must remain part of the set. It is only the influence of the other two cuttings that keep its malevolent nature in check. Previous owners have reported disturbing visions when sleeping in the same room as the plant.

For these reasons, it is a requirement that the purchaser be skilled in the arts of bonsai, or at the very least have a college-level accreditation in horticulture.

5. Chuck’s Diner (artist: Chuck McKenzie, under licence from NecroWares)
Reanimated homo sapiens x 5, kitchen appliances, furniture and fittings. $98,500.

This new installation from up-and-coming necrotiste McKenzie is a delicious exercise in irony. The reanimated corpses of former NecroWares employees continue to fulfil their contracts in this fully functional diner. The undead staff retain enough functionality to prepare and serve meals, maintain the equipment, operate the till, and can (albeit with some difficulty) engage in smalltalk.

The installation can be shipped holus bolus and reassembled in any location world-wide, though local laws may prevent you from running this as a business concern. Our legal department advises you to check with your local health inspectors, and to ascertain that your labour laws allow the undead to hold jobs that could be filled by the living.

6. Lyn Battersby (artist: Lyn Battersby)
The artist herself, the use of a neurotechnician, $67,000

What with the imminent tragic death of her husband in this very gallery, conceptual artist Lyn Battersby has pledged her own memories to this collection. She will take on a completely new identity, as determined by the purchaser.

The memories she is erasing are as follows:
a) Knowledge of all family and friends.
b) All memories related to her husband, Lee Battersby.
c) All skill-sets acquired since the age of 16.
d) All popular media ever experienced, including books, movies, and TV.

Purchasers must agree to be a party to the documentary crew filming Lyn’s amazing journey.

July 6, 2009

Tucker's Galleria Part One

by Jason Fischer

TUCKER’S GALLERIA – New Acquisitions


1. Pound of Flesh (Artist: Simon Petrie)
Cloned flesh, sheet plastic, hatchet, $16,000

This installation is the latest work of Petrie, a rising star in the New Vat Movement. A perfect cubic meter of living flesh, vat-grown from a sample provided from the artist’s body. A hatchet rests atop the cube, deliberately blunted. When a piece of the flesh is severed, it will regrow over the next week or so. The taste of the meat is randomised, and when cooked will resemble:

a) chicken
b) squid
c) beef
d) human.

The creature feels all pain, has internal organs including a perfectly formed mouth and lungs, and is guaranteed to live for at least six months from activation.

2. Coy Psychopomp, Waiting. (Artist: Gillian Polack)
Acrylic on linen with metallic leaf, 152 x 92 cm, $7,500

A woman kneels in the foreground of this piece, and what little light surrounds her is swiftly devoured by a darkness unending. The psychopomp herself presents an almost pathetic figure, a woman with black hollows in place of eyes, her dress a ragged mess of stitched animal skins.

Rumours that a casual viewing of this painting can lead to suicidal ideation are largely exaggerated. For your safety and the comfort of other patrons, however, this painting is isolated in one of our viewing rooms.


3. Lee Battersby (Artist: Lee Battersby)
Oil on canvas, 255 x 300 cm, $103,500

This painting is complete, but for the last brush-stroke. The artist assures us that, on the application of this finishing touch, he will in fact die from a severe aneurysm. At this moment, his spirit will become permanently attached to the painting, which already contains everything he has considered necessary for his afterlife as a self-portait. The purchaser of this painting will become his power of attorney, and as per Crown v. Macklin it will be necessary to treat the Lee Battersby painting as a legal entity in perpetuity.

Catalog continues....