Plugs

Kat Beyer paints what she cannot write and writes what she cannot paint.

Ken Brady's latest story, "Walkers of the Deep Blue Sea and Sky" appears in the Exquisite Corpuscle anthology, edited by Jay Lake and Frank Wu.

Read Daniel Braum's story Mystic Tryst at Farrgo's Wainscot #8.

Alex D M's story "Snowdrops" appeared in Lady Churchill's Rosebud Wristlet no. 22, and "Two Coins" is in Electric Velocipede 15/16.

Read Rudi's story "Detail from a Painting by Hieronymus Bosch" at Behind the Wainscot.

Jason Fischer has a story appearing in Jack Dann's new anthology Dreaming Again.

Sara Genge's story "Godtouched" may be found in Strange Horizons.

"Drowning Atlantis" is a collection of flash fiction by David Kopaska-Merkel, for sale at the Genre Mall, where you can find some of his other stuff as well.

Jason Erik Lundberg's latest book (co-edited with Janet Chui), A Field Guide to Surreal Botany, has just been released, and can be ordered at SurrealBotany.net.

Susannah Mandel's columns in Strange Horizons on the fantastic in classic literature can be found here.

Luc Reid's book Talk the Talk: The Slang of 65 American Subcultures is in bookstores now and is full of odd insights.

Angela Slatter's story 'Frozen' will appear in the December 09 issue of Doorways Magazine, and 'The Girl with No Hands' will appear in the next issue of Lady Churchill's Rosebud Wristlet.

Edd Vick's latest story, "The Corsair and the Lady" may be found in Talebones #37.

Trent Walters has a poetry chapbook, Learning the Ropes, forthcoming from Morpo Press.

Jonathan Wood's story "Notes on the Dissection of an Imaginary Beetle" from Electric Velocipede 15/16 is available online.

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He Carried Manuscripts in Curious Languages

by Alex Dally MacFarlane

On the shore of an island made entirely of sand, I met a man waiting for the same ship as I. We stood on the jetty and, to the rhythmic wash of waves against wood, we talked.

I told him of my desire to see the world’s most curious places. “That is why I am waiting for the ship,” I told him. “The island it journeys to is meant to be quite remarkable: trees bearing garnets and sapphires as fruit, parrots with beaks on their feet, people born with metal rings growing from their ears.”

“I have heard that their people speak and write a language known only by them.” As he spoke, he shifted the two baskets on a pole that he rested across his shoulders.

“What do you carry in those? Your clothes?”

“Some. But most of their weight is made up of manuscripts.”

“What are they about?”

He smiled, then -- a curve of his lips and a crease of his eyes that made him beautiful. “One manuscript is a collection of poems about the rain. Another is a bestiary. A third, as small as my hand, is a story of travelling through time; a fourth is a collection of floral paintings with mutterings about astronomy on the petals. As for the other then, I do not know. I cannot read their scripts.”

“Why do you carry them?” I asked, fascinated.

“I am rich and bored. I bought them at auction, and now I travel to isolated or unique places in the hope that they will be able to read the texts for me. When they can, oh, it is the most marvelous thing.”

The ship arrived then, with its dark green sails and only one cabin.

He was a curiosity, and it was a night’s sailing to the island. I showed him the tattoos curling around my broad brown nipples and he demonstrated the feel of a foreskin-piercing inside both of my lower orifices.

Afterwards, I asked him to let me see his manuscripts. “I am from a far-away place. Perhaps I can read one.”

I could, and I read it to him: a geography lesson of islands that grew from the sea like sores.

He thanked me, and pleaded with me to travel with him for a while, but I declined. I do not like to stay long with curiosities -- they too quickly become normal.


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