Plugs

Jason Erik Lundberg‘s fiction is forthcoming from Subterranean Magazine and Polyphony 7.

David Kopaska-Merkel’s book of humorous noir fiction based on nursery rhymes, Nursery Rhyme Noir 978-09821068-3-9, is sold at the Genre Mall. Other new books include The zSimian Transcript (Cyberwizard Productions) and Brushfires (Sams Dot Publishing).

Sara Genge’s story “Godtouched” may be found in Strange Horizons.

Susannah Mandel’s short story “The Monkey and the Butterfly” is in Shimmer #11. She also has poems in the current issues of Sybil’s Garage, Goblin Fruit, and Peter Parasol.

Between Them

by Trent Walters

“Most ghosts, when all is said and done, do not do much harm.”–E.F. Benson, “Caterpillars”

She liked NASCAR via surround-sound speakers:  the rev and whine of engines rattling the china cupboards in their little Italian villa, echoing across the hillside village.  He liked gaudily colored knick-knacks–doilies, ceramic dolls, figurines of farmers and barnyard animals.  These held them together because these kept away the ghosts.

It hadn’t always been this way.  Ambitious young sculptors, they attended University of Texas during the “DotCom” bubble.  They squirreled enough to sculpt the rest of their lives in Italy, eying villas outside Rome where they’d haunt great works of art on a whim–especially the Italian Renaissance, which they felt they had a foolproof plan to reinvigorate.  All they need do was invest aggressively for ten years, and they’d live happily ever after.

In ten years, the housing bubble banqueted upon their savings.  Enough remained to redeem for a remote Italian villa, far from Rome.  “Villa” was too kind:  gargoyles falling off the rooftop at the hint of wind, a battered if tasteless cupid water fountain, moth-eaten draperies, decrepit furnishings–a haven for wandering ghosts.

Into these quarters, ghosts slipped in and tipped over alabaster sculptures or knocked the half-formed granite gulls from a windowsill–how had it gotten there?–or whatever the couple had been working on.  Critics, no doubt.   The car noises and atrocious crafts warded away most ghosts, but not altogether.

The villa’s decay and their art’s attrition infected waning late-night caresses.  They cohabited together alone, in separate bedrooms among the rubble of their sculptures.

One night leaning out on the veranda, smoking a cigarette and sipping smokey whiskey, he spotted something below, glowing in the water-fountain’s basin.  He fetched and cradled the foot-long grub into the light of his wife’s bedroom.  A ghost banging a shutter caught sight of the creature and fled.

He laid the grub upon the sheets between them.  Water slicked its satiny carapaced belly.  His wife cooed, stroked its abdomen which squished and sloshed as though it held a chunky, viscous liquid.  Its pincers squeezed his finger hard enough to tickle out a trickle of blood.  He babbled in a prehistoric tongue.

She laid a hand on his cheek, brushed his forehead with the backs of her knuckles.  She thought of days soaking up the sun on Padre Island, of blueberry sno-cones and beignés, of ridiculously floppy straw hats, of his warmth next to hers.   He spirited her hand to his lips and kissed the open palm.

Red Seeds

by Luc Reid

I was nine, and my parents were watching a special news bulletin on TV late in the afternoon on a grindingly hot summer day. The aliens, who’d been just floating in the sky for more than eight months, ignoring every attempt to contact them and unhurt by any weapon we tried, had finally acted. They had dropped little red seeds from the sky that landed and ripped terrible gashes in the earth, hundreds of meters deep, razing houses and slashing roads and cutting rivers. They’d already done it in dozens of places: South Africa, Pakistan, Norway, Canada, Bolivia, France, Russia, New Zealand.

Out on the street, very faintly, I heard the rambling tinkle of the ice cream truck. I begged with my parents, waited the excruciating time it took for Dad to get his wallet, snatched the two quarters, ran, had to be called back to say “Thank you,” ran again, and caught up with the ice cream truck just at the end of the street, where Walter Biscayne was receiving not one, but two drumstick cones.

I remember it vividly. The sky was a scorched blue. The heat over the new-paved street wavered, as if we were all knee-deep in water. An oak tree three houses away was yellowing even though it was late July: probably it had some kind of blight or something. A housefly was sitting on Walter Biscayne’s shoulder, but he didn’t even notice.

Walter collected his cones. I ran to the window.

“Ice cream sandwich, please,” I said.

“Sorry, we’re out,” said the ice cream guy. And then I heard the blast, a torrential ripping noise. It knocked me into the truck and blew the little truck right over on its side. A horrible cracking sound came up from the ground. My forehead was bleeding. When the noise went away, I sat up and looked around me.

The ground had been torn open in a deep, gaping rent as long as half a dozen ocean liners end to end. Dust rained down from the sky. Four houses on our street were completely gone, obliterated. The only thing left of my house–or my parents–was a broken piece of the slide from the back yard. The crack stopped just short of Walter’s house.

So yes, despite everything they’ve done for us since, despite the fact that they never erased New York or crushed the Eiffel Tower, I still think the aliens need to be exterminated.

Is that enough to get me into your goddamned little resistance, or do I need to get some scalps first?