Plugs

Jason Erik Lundberg‘s fiction is forthcoming from Subterranean Magazine and Polyphony 7.

David Kopaska-Merkel’s book of humorous noir fiction based on nursery rhymes, Nursery Rhyme Noir 978-09821068-3-9, is sold at the Genre Mall. Other new books include The zSimian Transcript (Cyberwizard Productions) and Brushfires (Sams Dot Publishing).

Luc Reid writes about the psychology of habits at The Willpower Engine. His new eBook is Bam! 172 Hellaciously Quick Stories.

Sara Genge’s story “Godtouched” may be found in Strange Horizons.

Tyrone Wilson’s Metropolis

by Trent Walters

Tyrone Wilson grew up across the street from Metropolis–the details still snap like a Polaroid fished from a closet shoebox… vivid until you finger it.

Metropolis was trifling–as far as metropolises go–but its sundry skyscrapers impressed: jade-colored glass, clunky obtuse obsidian distortions, steel needles stitching heaven and earth, arches sculpted from dark marble and granite ledges topped by grimacing gargoyles.

Before the school bus arrived, Ty knelt in the bromegrass and peered through the glass-domed metro down at the traffic bustle. He liked the warehouse heavy equipment operators because that’s what he wanted to do when he grew up: lift heavy stuff men couldn’t budge.

On cold mornings when the machinery refused to turn over, Ty made sympathetic chugs by flapping his lips, and the engines started right up. Though Metropolis largely did not notice him, an operator gazed up and thanked Ty, which delighted him immensely.

Once a mother pushed a double stroller across a curvy road and, with her parka hood up, didn’t see the oncoming furniture truck. Ty shoved it into a stack of pomegranate crates and panes of green glass lining the sidewalk. At the whining steel, snapping wood and shattered glass, the mother whirled in the middle of the lane to gape.

For days, she counted beads.

Because she reminded him of Mother–warming formula, microwaving Spaghetti-Os, changing old diapers for new–Ty kept watch, saving her life again when her toddler turned on the old gas stove without the pilot light on. But the mother never learned of this and soon forgot the furniture truck.

The truck driver did not. He cussed out whatever inflicted this upon him. His life savings were tied up in that truck–not to mention his responsibility for the furniture, now lacquered kindling. The driver, it turned out, was a frustrated writer; and the incident ignited his muse. The book, detailing how a superior being must be inferior in a screwed-up world, became a bestseller. This wouldn’t have troubled Ty if the mother, whom he’d saved, hadn’t nodded agreement with the book. If everyone quit believing in superior beings, it reasoned, they would cease to exist; the universe would make sense.

That seemed as good as any way to ask Ty to leave.

***

Years later, whenever he met someone from his old neighborhood, he’d hedge around the crazy question. No one remembered Metropolis. Only a weedy parking lot where people dumped their defective appliances. Which made more sense when he thought about it.

Iri’s Work

by AlexM

Exhibit 1.a: The lines are a millimetre deep and three times as wide, and milky white compared to the pine-brown skin surrounding them. They line up like pale railings against a wall.

The placard underneath the image says that the woman painted is twenty-two.

Paper lanterns hung outside the gallery’s high windows, shedding patches of their colour — blue and yellow, red and seaweed-green — onto Turme’s white dress. She stood with her back to the lanterns, staring at the row of foot-wide paintings.

The pale lines matched so neatly those on her own thighs.

Exhibit 2.a: Look closely to see the lines, barely darker than the skin. Look closely to see how they cross the small breast, how they stretch between side and nipple.

The placard underneath says that the woman painted is nineteen.

Turme remembered the reviews: A gallery of that which is hidden away — for good reason! and What next, will artists paint the deformed and claim to be showing beauty?

“These are beautiful paintings,” she said.

“There’s a trend among artists to conceal the marks left by natural growth,” the gallery’s owner replied. “Iri, the artist, feels that concealment is un-necessary.”

She wanted to raise a hand and run her fingers over the paintings. Would they dip like the marks on her thighs? The paint looked textured enough for it.

When had she last seen artwork so honest?

Exhibit 2.c: Dark lines curve over soft skin, like half-bracelets, on the side of the girl. They point to the small of her back. They point to the lowest part of her stomach.

“I’ve been to six galleries today,” Turme said, “and seen a lot of paintings of nudes with flawless skin like glass from the Suresh Quarter. The ones with blue and green hair were interesting, I suppose. This, however…” She looked along the wall, at arms and legs, breasts and stomachs, covered in pale and dark lines.

“Would you like to meet Iri?” the gallery’s owner asked.

“I suppose I should, as I intend to sponsor his work.”