Plugs

David Kopaska-Merkel’s book of humorous noir fiction based on nursery rhymes, Nursery Rhyme Noir 978-09821068-3-9, is sold at the Genre Mall. Other new books include The zSimian Transcript (Cyberwizard Productions) and Brushfires (Sams Dot Publishing).

Angela Slatter’s story ‘Frozen’ will appear in the December 09 issue of Doorways Magazine, and ‘The Girl with No Hands’ will appear in the next issue of Lady Churchill’s Rosebud Wristlet.

Jonathan Wood’s story “Notes on the Dissection of an Imaginary Beetle” from Electric Velocipede 15/16 is available online.

Alex Dally MacFarlane’s story “The Devonshire Arms” is available online at Clarkesworld.

Archive for the ‘Rudi Dornemann’ Category

The Courier’s Tale

Friday, May 25th, 2007

It’s still early when Eyve Aerial enters the abandoned district. The sun is bright and low, so that the spidery petals of snowflake roses cast shadows like clutching hands on the edge of the road.

An invocation, chalked on the bowed metal of a cellar door in careful phonetics, is a line of bubble-round glyphs that might be cartoons. Eyve forces herself not to read, lest she sound them out in her head and activate something.

An emperor centipede blurs across the pavement, a quick zig just when it would have scurried over the toe of her boot, and it’s away into the safety of the rose-thicket shadows. From the clacking clatter of its segments, the mineralizing’s irreversible — it’ll be dead in a week, a statue, a monument to its final moment. Eyve shivers; Medusa syndrome! And it almost touched her.

She’s carrying a jar full of oracular candies, imported and expensive: fruity fizzing omen-jellies, licorice-centered maybes, sugar-powdered harbingers. As bad for your teeth as your soul — that’s what the Central Square Sorceress said when she paid Eyve the first half of the courier fee. She sounded stern and all-knowing, like she always sounded.

Eyve’s been resisting the temptation to taste one all the blocks and blocks she’s been walking. With all the miles she has to go, she won’t be able to hold out. The Blue Magus of the Western Suburbs will never know if she has one. Just one. This is the only part of her route where there won’t be anyone around to see her.

Eyve reaches without looking, pops a minty-sour something into her mouth. The taste is acid and too-sweet. She spits it out on the asphalt, but flavor is still unfolding on her tongue, rich and disgusting. She sees herself, not much older, hobbling and rust-furred, clanking into her final pose. The jar slips from her hands, shatters. Candy blobs and glass splinters cover the road.

After a frozen moment, she picks up a squashed harbinger, and licks it, hoping for a glimpse of a different, less terminal, future. Just a lick shouldn’t be too bad for her, and if it’s promising, she can eat the whole thing. It tastes like yesterday’s stewed cabbage, and shows her the whole city turned to a charred crater.

She sets the harbinger aside and reaches for a pink-frosted portent nougat. Maybe this one will be better.

In the Night Market

Monday, May 7th, 2007

The autumn wind was coming down the valley from China, but, to Javad Azaizeh, it felt as chilly as if it were pouring south from Siberia. He should be inside on a night like this, but insomnia always left him feeling lonely, and Khabarovsk’s night market seemed like the perfect remedy.

Vermillion in the shadows of the next row of kiosks caught his eye, and he walked closer. In the narrow aisle between a noodle stall and one that sold prepaid viewpads for the municipal space, a stocky man in an apron swept his bare forearm up and down, back and forth. Red flashed with every movement. The noodle-seller — he hadn’t even put down his long chopsticks — paused, and the diodes in the skin of his forearm winked out.

He was looking over Javad’s head, and Javad turned.

Up on a rooftop overlooking the market square, a woman waved in response. Her arm, too, traced red on the night, a series of symbols that hung on the air through persistence of vision.

Javad smiled in recognition — he knew those symbols. Forty years ago, touring with Cheba Alia’s orchestra when he was just a city kid who’d never been more than ten kilometers out of Paris, he’d seen the same alphabet on hand-lettered signs in towns on the edge of the Sahara. They’d seemed then like the most exotic thing in the world. He’d never learned how to read them, and what a noodle-seller in a Korean market in a Russian city was using them to say, he couldn’t guess.

Javad turned back to see the noodle-seller resume his side of the conversation, his arm a blur. There must be some sophisticated on-the-fly processing behind the simple arm-waving — the quick-fading scarlet lines were crisp.

Javad’s admiration was tempered by hunger — the smell of fish and spices reminded him he hadn’t eaten since midday.

“Pardon, but when you have a moment…” he said.

The noodle-seller’s arm continued flaring letters on the twilight, his gaze remained fixed on his distant companion, and Javad had no idea if the man had even heard him.

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