Plugs

Edd Vick’s latest story, “The Corsair and the Lady” may be found in Talebones #37.

Trent Walters, poetry editor at A&A, has a chapbook, Learning the Ropes, from Morpo Press.

Jonathan Wood’s story “Notes on the Dissection of an Imaginary Beetle” from Electric Velocipede 15/16 is available online.

Jason Erik Lundberg‘s fiction is forthcoming from Subterranean Magazine and Polyphony 7.

Archive for the ‘Authors’ Category

One Soul, Subdivided

Thursday, August 26th, 2010

Since the treaty, the gates of Heaven open once every ten years. My folks took me when I was twelve, and now it’s our turn to take Emily. She’s ten, but that’s plenty old enough.

Our group is met by Saint Lydwina of Schiedam. Everyone is restored to their full body on attaining Heaven, so she’s got her skin back. The only sign of the disease that once ravaged her is an ornamental blood-trail from her nose down one side of her face. Emily thinks it might make a good tat to go with her nostril-ring. “Ironic, you know,” she says.

It’s a package tour, so we’re rushed past the robe & harp storerooms, the mansions, the throne. Everybody gets a small packet of Manna® for free. I admire the Heaven’s Own® golf clubs, but the price tag is too steep.

Everybody wants a little piece of your soul these days. Now they know they’re real.

Tournament Season

Wednesday, August 25th, 2010

I saw her at the roof-races, her crimson stilt-car ambling along at the middle of the pack. Her name, I didn’t catch, but the winking skull icon on the hood was hard to forget.

I saw it again at the hot-air balloon demolition derby, on the chute she used to bail out amid the aerial apocalypse that took the field from fifty contests to three in moments. She waved, perhaps in my direction.

I met her at last in the undercity after the giant eel slalom. She was dripping into the celebratory champagne, and giddy before her first sip. She’d placed in the top five.

“I’ve seen you,” she said, “in the stands, always with that hat. I’ve taken it as a good luck charm.” She handed me a flute of watery bubbly. “Please keep wearing it.”

I stammered something, but she was swept into the crowd of well-wishers and people who’d won money on her.

It wasn’t a hat. It was a job, a series of hats I was paid to wear, some kind of advertising campaign building through the tournament months. But as long as they looked similar, she’d get her luck, and I’d get my paycheck.

The next hat, the next event went fine. I sat just behind the reviewing stand at the skate-boat regatta–I got a bonus for visibility. The winking skull sloop placed twelfth, enough for a small cash prize–bonuses all round.

But the next was all disasters. I overslept, arrived late, only found a seat in the second mezzanine; the hat wasn’t much like the others, and looked even less like them the way I’d thrown it on; she was eliminated before the first intermission.

“Combat opera,” she said when I found her, alone, backstage, “Easier than it looks. Until you miss a cue.” She smiled behind the icepack. “I’m done.”

“There’s the ornithopter relays,” I said. “The mole-machine rally. Tournament season’s barely begun.”

“No, tonight was it. The launch.”

“Launch?”

“The icon,” she said. Then the crowd found her, and I lost her.

Ad world connections told me the winking skull mark auctioned well the next morning. I saw it frequently over the next months, openly on tea packets and fig tins, subliminally in magazine photo shadows.

Next spring, her stilt-car bore a laughing rhino logo and I resolved to keep wearing my motley-lapelled smoking jackets through the season, to see what luck would bring us.

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