Plugs

Edd Vick’s latest story, “The Corsair and the Lady” may be found in Talebones #37.

Jason Fischer has a story appearing in Jack Dann’s new anthology Dreaming Again.

Sara Genge’s story “Godtouched” may be found in Strange Horizons.

Kat Beyer’s Cabal story “A Change In Government” has been nominated for a BSFA award for best short fiction.

Archive for the ‘Authors’ Category

The Tooth

Tuesday, November 23rd, 2010

Gail ran her finger along the edge of the huge tooth she’d found. It was serrated, very sharp, and somewhat flattened. A drop of blood welled up. She absently sucked her finger as she walked. When she got to school it was almost time for the bell. While taking the steps two at a time she thought she saw bones under a privet bush. Big bones.

Gail tried to focus on math, but her hand kept slipping into her pocket to stroke the giant tooth. She imagined a saber tooth tiger prowling around the building, growling softly when it saw students misbehaving.

“Gail!” From the tone of Ms. Horton’s voice, this must be at least the second time she had tried to get Gail’s attention.

“Yes ma’am,” Gail said.

“The problem on the board, young lady, has proven intractable. Why don’t you show us your solution.”

Gail had no clue. What would a saber tooth tiger do? She bared her teeth and stroked the tooth in her pocket. She stumbled through the problem until Ms. Horton finally let her sit down. Saber tooths are ambush predators. They bide their time and strike when they are ready.

All day she saw images of cats: taped to the wall, projected on screens, in patterns of cracks in the tiles. Finally, school let out. Outside, she looked under the privet, but didn’t see any bones. Joselle Simpson looked at her funny.

“What you got under there?”

“That’s for me to know and you to find out.” Lame. A sabertooth would have twitched its tail and yawned, showing its huge teeth. Joselle would have wet her pants.

“What you smiling at? I ain’t funny!”

Gail just smiled again, and headed home. On the way, she had this feeling. A feeling that something was following her. Not a creepy guy in a dirty raincoat. More like a saber tooth, padding with silent deliberation. She didn’t see anything, but you wouldn’t, would you?

When she got to her block, she looked warily for Butch. He was a pit bull-something-or-other mix and he was mean. Mr. Logan had promised to keep the dog chained up, but he forgot about half the time. Sure enough, there was Butch, trotting straight towards her. She was too far from her house. Gail stood still, hands wrapped around her chest. Then she put one in her pocket. She grasped the tooth, felt it draw blood. She glared at Butch, who skidded to a stop, yipped like he’d been kicked, and ran back home. Gail smiled, showing all her teeth.

End

The Frail

Monday, November 22nd, 2010

Fang Chin put down his palette and brush, rose slowly from his stool, knees cracking, and peeked around his canvas at the UFO that had just landed nine meters from where he stood, in the center of the Dafen Art Village on the outskirts of Shenzhen. The saucer was a blackish color, carbon possibly, or charcoal, but Chin could not tell for sure, as he felt slightly nauseated upon looking at it and had to turn away. It was roughly the size of his artist’s shed, vaguely disc-shaped, and it pulsed with a frequency so low that his bones vibrated.

The Village itself was in chaos, artist workers and framers and pigment mixers running in all directions, clambering over each other to escape the presence of this thing that could not be, paintings forgotten, oil reproductions of Van Gogh and Vermeer and Modigliani and Toulouse-Lautrec and hundreds of others, scattered, slashed, ruined in haste and fear.

But Fang Chin did not run. One of the few artists in the Village to paint “originals,” his imitations of the masters stylized, skewed beyond mere mimicry, featuring in the top right corner of each piece a small representation of the UFO that pulsed before him right now, his trademark, his “signature,” impossibly come to life.

Without transition, two amorphous blobs of the same nauseating color as the saucer stood before him, roughly his height, undulating hypnotically, and said, in perfect Mandarin, “Artist-Prescient Fang Chin?”

Chin cleared his throat, licked his lips, and said, “Yes. That’s me.”

“At last!” The blobs undulated faster, more cheerfully. Chin could not tell if the synchronized voices were spoken or just in his head. “Long have we searched the Multiverse for you, such a rare prescence, located only here and in our home univ, so highly improbable your existence.”

“Ah, okay. Thank you.”

“Today we bestow upon you a mighty honor! You and your work are to be immortalized by our collective, absorbed into our cultural consciousness and forever revered as the pinnacle of artistic achievement. Will you accept?”

Immortality was of course any artist’s dream. To be placed amongst the highest echelons of creative visual endeavor, to join with those who had inspired him and given his life meaning, to be known beyond the small galleries in Shanghai, Beijing, Guangzhou, and Hong Kong, his name on the lips of everyone in China, Asia, the world. His fingers and toes tingled.

“Yes, I accept.”

And without a word, the two amorphous blobs flowed over Fang Chin, covering him from head to toe, rippling with rhythmic consummation, and devoured him utterly. His DNA mingled with theirs, transmitting experience and epiphany, and the two blobs uttered a cry of delight. Then they re-merged with their saucer, lifted up into the sky, and were never heard from again.

Creative Commons License

This piece is just one in a 23-part linked narrative called Fragile, which will take a liberal interpretation of the song titles (but not the lyrics) of the masterful Nine Inch Nails double-album The Fragile. To read the other chapters in this series, click on the category “Fragile” below.

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