Plugs

Jason Erik Lundberg‘s fiction is forthcoming from Subterranean Magazine and Polyphony 7.

Read Daniel Braum’s story Mystic Tryst at Farrgo’s Wainscot #8.

Jonathan Wood’s story “Notes on the Dissection of an Imaginary Beetle” from Electric Velocipede 15/16 is available online.

Sara Genge’s story “Godtouched” may be found in Strange Horizons.

Archive for the ‘Authors’ Category

Speaker

Wednesday, December 2nd, 2009

Carla backed up so she could see the reef better. A tessellation of almost-identical shells, each occupied by something vaguely resembling an octopus, individually as intelligent as a cat, and about half the size of a cryopod. As in a coral, the “animals” were connected, forming one colonial organism. It sounded like the cell right in front of her was the one that had spoken. Last time, the colony had been much smaller, and it had not understood her next question.

“Which one of you spoke?”

I am only one. There is no one else but you.

That was interesting. The first few visits, she had not been sure it recognized her as an independent entity. And the language lessons she’d broadcast from the buoy seemed to have been assimilated. Was it gaining intelligence as it grew? She went through the rest of the questions, recording the answers.

“I’ll be back next year. Your health and prosperity.”

As on her previous visits, it only responded to direct questions.

You have returned. Why?

The reef was huge, extending several meters above sea level and for kilometers along the sand ridge. The base was lost in darkness. She hovered above the waves on the seaward side. As always, it seemed that the polyp directly in front of her was the speaker, though she never could see an organ moving or vibrating. She set up a slow leftward drift of the skimmer, to see if the conversation stayed with the original polyp or moved with her.

“You are my research project,” she said. “I study you, to find out how you grow, how you think, what you do.” The reef was silent for a bit.

Again, why? Small organisms that I eat don’t visit me. Only you visit me, and you are not like anything else I know.

The voice moved with her, transferring seamlessly from one polyp to the next.

“I visit you because my people want to learn about others. Because we are not alone.”

Another pause.

Do you know others like me?

“I don’t,” she said. She and her Thesis Committee had agreed to say nothing about the fossil reefs stranded 100 meters above sea level. The reef spoke again.

I will create a motile form. It will transport my essence as you do for your “people.” There will be more like me. They will speak with you.

Your health and prosperity.

end

Shells, at the Ocean’s Edge

Tuesday, December 1st, 2009

A girl walks by the water, counting the shells with single-sentence stories inked onto their spirals.

One: A fish wed to a man produced five beautiful children, who each became a queen of the tides – as liminal an area as their own forms.

Two: Around the ancient shipwreck, serpents fail to summon djinn and wishes from barnacle-encrusted amphorae.

Three: The coral palaces went hunting, to snare seahorse finials and eel spires.

In a whole day, only three shells. This is how the girl knows that the squid queen is dying.

She remembers the days when every other shell wore a story, in that strange language that only the girl, of all land creatures, can read. When the stories began to diminish, she reacted like a human: floated out boxes of medicine stolen from her father’s cabinet, scattered the tides with herbs that the internet recommended as general cures.

None of it has worked.

Unable to swim, and too frightened by her father’s tales of rock-smashed fishermen to try, she cannot reach the queen and ask what she needs.

So she counts and hopes. She thinks: surely the queen will find help and recover.

Three. Only three.

And, the next day, none.

Her father laughs. “Finally! No more reason for us to stay by the sea, motherless child, if that creature is gone and can’t curse us anymore.”

“No!”

The girl refuses to believe in the squid queen’s death.

But, as her father begins travelling inland to view new houses, she realises that the sea will be taken from her.

“I bet the squid queen is getting angry at you,” she says to her father. “You’ll see.”

At night, she sneaks out of their house and writes her own story on the shells. Some she leaves on the shore, to trick her father; others she throws into the waves, in case the squid queen has sisters or cousins. Or other daughters.

Her story: I am at the ocean’s edge, learning how to swim, waiting, if you’ll take me.

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