Ken Brady’s latest story, “Walkers of the Deep Blue Sea and Sky” appears in the Exquisite Corpuscle anthology, edited by Jay Lake and Frank Wu.

Jason Erik Lundberg‘s fiction is forthcoming from Subterranean Magazine and Polyphony 7.

Read Daniel Braum’s story Mystic Tryst at Farrgo’s Wainscot #8.

Susannah Mandel’s short story “The Monkey and the Butterfly” is in Shimmer #11. She also has poems in the current issues of Sybil’s Garage, Goblin Fruit, and Peter Parasol.

Archive for the ‘Tucker’s Galleria’ Category

Tucker’s Galleria Part One

Monday, July 6th, 2009

TUCKER’S GALLERIA – New Acquisitions

1. Pound of Flesh (Artist: Simon Petrie)
Cloned flesh, sheet plastic, hatchet, $16,000

This installation is the latest work of Petrie, a rising star in the New Vat Movement. A perfect cubic meter of living flesh, vat-grown from a sample provided from the artist’s body. A hatchet rests atop the cube, deliberately blunted. When a piece of the flesh is severed, it will regrow over the next week or so. The taste of the meat is randomised, and when cooked will resemble:
a) chicken
b) squid
c) beef
d) human.

The creature feels all pain, has internal organs including a perfectly formed mouth and lungs, and is guaranteed to live for at least six months from activation.

2. Coy Psychopomp, Waiting. (Artist: Gillian Polack)
Acrylic on linen with metallic leaf, 152 x 92 cm, $7,500

A woman kneels in the foreground of this piece, and what little light surrounds her is swiftly devoured by a darkness unending. The psychopomp herself presents an almost pathetic figure, a woman with black hollows in place of eyes, her dress a ragged mess of stitched animal skins.

Rumours that a casual viewing of this painting can lead to suicidal ideation are largely exaggerated. For your safety and the comfort of other patrons, however, this painting is isolated in one of our viewing rooms.

3. Lee Battersby (Artist: Lee Battersby)
Oil on canvas, 255 x 300 cm, $103,500

This painting is complete, but for the last brush-stroke. The artist assures us that, on the application of this finishing touch, he will in fact die from a severe aneurysm. At this moment, his spirit will become permanently attached to the painting, which already contains everything he has considered necessary for his afterlife as a self-portait. The purchaser of this painting will become his power of attorney, and as per Crown v. Macklin it will be necessary to treat the Lee Battersby painting as a legal entity in perpetuity.

Catalog continues….

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