Plugs

Susannah Mandel’s short story “The Monkey and the Butterfly” is in Shimmer #11. She also has poems in the current issues of Sybil’s Garage, Goblin Fruit, and Peter Parasol.

Alex Dally MacFarlane’s story “The Devonshire Arms” is available online at Clarkesworld.

Jonathan Wood’s story “Notes on the Dissection of an Imaginary Beetle” from Electric Velocipede 15/16 is available online.

Edd Vick’s latest story, “The Corsair and the Lady” may be found in Talebones #37.

Archive for the ‘The Knowledge’ Category

Day Street

Wednesday, January 21st, 2009

(From The Knowledge: An A-To-Zed Of That City We Almost Know)

It will probably be dusk by the time you turn onto Day Street. The brick house-fronts will be darkening with approaching evening; between the chimney-stacks, the blue is draining out of the sky. The lawns are converging, with the brickwork and the trees, into a mass of indistinct purplish-gray. Out of that dusk, the legs of lawn furniture gleam fitfully; the white fences holding in the back yards; the curtains in the windows. The pavement, stretching before you down the street and trailing perpendicular paths up to the stoops, luminesces faintly under your feet like a phosphorescent wake.

The air is soft along Day Street. Past your ears float breezes, and the sound of voices talking; not out here, on the sidewalk empty except for one walker, but coming from somewhere very close, just over a white fence, just around the corner.

As you pass the house, a light comes on behind the translucent curtains. There is a movement of shadows in the window; a barely audible clatter of silver, a muted murmur of conversation. Up and down the street, just like in Magritte’s painting The Empire of Lights, the streetlamps are flickering on.

Above the roofline, the chimneys and the satellite dishes have been reduced to silhouettes. Above them, in a band of limpid blue, one bright star is coming out in the west. Very high up, a curve of light has pooled, like a rim of salt along the edge of the world.

A person could stand here for quite some time, looking at the streetlights, the sky. But it is possible that it may be time to lower your eyes, to move on down the street. It is possible that you have someplace you need to be.

The air you move through down Day Street is grey and gentle, cool and faint, suspended between the darkness and day. The pavement is an auroreal glow beneath your feet. In the darkened houses, all down the street, the lights are beginning to come on in the windows. The silver is starting to clink.

In the dew-laden grass, the flowers yawn. The wind is bright and silent: clear, cool, clean-smelling, as the air is just before dawn. Seeping upward from somewhere behind the houses, behind the one bright eastern star, the sky is beginning to turn blue. As you pass beneath them, following the pale line of the madrugal pavement, the long row of streetlamps, one by one, begin to flicker out.

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