Archive for the ‘Rudi Dornemann’ Category
Friday, May 2nd, 2014
Friday, May 2nd, 2014
When Kat Beyer lost the use of her hands in 1999, she decided that shouldn’t stop her. She writes with speech software, and her hands have healed enough to paint. She has published with Circlet Press, Strange Horizons, and others. Check out her website, complete with gallery, links to writings, favorite single malt scotch, and “Wasabi for the mind, ” at www.katspaw.com.
Ken is multiple kinds of geek: writing, film making, virtual worlds, video games, music, cars, motorcycles, and computers. His publications include Analog, Writers of the Future, Strange Horizons, Talebones, Darker Matter, Fortean Bureau, Ideomancer, Weird Tales, Midnight Street, Modern Magic, The William and Mary Review, Rosebud, Science Fiction World, Exquisite Corpuscle, and others. He’s also sold some stage plays, a screenplay, and produced an award-winning feature film. There are rumors he may be making more films soon.
His website is irregularly updated. Someone should really do something about this, don’t you think? Alternately, you can find him on Facebook, Twitter, Quillpill, LinkedIn, Naymz, and occasionally MySpace and Friendster.
Daniel Braum likes his fiction to take him to places on the edge of civilization, or anywhere near or far where the darkness needs a little light or vice versa. His stories often blur the lines between genres, most of the time unintentionally. His short stories can be found in print in places such as Cemetery Dance, Electric Velocipede, and Full Unit Hook Up and online at sites such as the Fortean Bureau, Abyss and Apex, and Dark Recesses. He is very happy to be in such good company with the diverse and talented authors here at the Cabal. He is currently shopping for a publisher for his first novel, a supernatural thriller set in Central America. Visit him at www.danielbraum.com and www.livejournal.com/danielbraum.
What we know of the Rudi Dornemann has come has been passed down through the generations of storytellers, from father to son and from mother to daughter since the days before the Dark Times. The tale-tellers speak of how the Rudi’s fiction appeared in various magazines, some of which were fashioned from the skins of ancient creatures called trees, others of which were made of a more ethereal substance — some chronicles speak of webs, others of vast systems of tubes. The names of these magazines have come down to us like the words of some incantation — Behind the Wainscot, Strange Horizons, Realms of Fantasy, The Fortean Bureau, Flytrap, Ideomancer/, Rabid Transit: Menagerie, and others. Some of the legends tell of the Rudi’s home in a place called “Maine”– an Atlantis-like locale said to be located somewhere off the coast of Vermont. A few of the tales relate that he had a thing called a website and others speak of his blog.
Jason Fischer is based in Adelaide, South Australia. He is a graduate of the 2007 Clarion South workshop, and a recent finalist in the Writers of the Future contest. He has a story in Jack Dann’s new anthology Dreaming Again, and forthcoming stories appearing in Aurealis Magazine and Andromeda Spaceways Inflight Magazine. Jason likes anything to do with zombies or post-apocalyptic settings, and when he’s not writing he wishes he was. He can be found lurking in internetland at jasoni.livejournal.com
Sara Genge lives in Madrid, Spain. She writes speculative fiction aided and abetted by a coven of friends and female relatives. She’s walked the Camino de Santiago and spent a year as a foreign exchange student in Paris. Sara even saw a gnome once, but it was after a week of sleep deprivation and sixteen hours of studying, so she’s not sure if it wore a pointed red hat or not. Her blog is regularly updated.
David C. Kopaska-Merkel was born in Charlottesville Virginia in 1872. He attended Redhill school until the fourth grade, but dropped out after only 18 years without completing high school. He took to electronics like a duck to water, once the field was invented, and quickly developed a machine that allowed him to become his own great-great-grandfather. He later tried his hand at fiction but, realistically, it was too unbelievable. So he became a ghostwriter for scientific reports. In his spare time he specializes in yak pedicures and appraisals of stuffed marmots. He lives in a quarter million dollar condo a half a block from the railroad tracks, with a flock of seagulls and a couple of minor inconveniences.
Jason Erik Lundberg is an American expatriate living in Singapore, and the author of The Time Traveler’s Son (2008), Four Seasons in One Day (2003, with Janet Chui), and over forty articles and short stories; he is also the co-editor of Scattered, Covered, Smothered (2004) and A Field Guide to Surreal Botany (2008). His solo work has most recently appeared (or will soon) in Polyphony 7, Subterranean Magazine, Sybil’s Garage, Farrago’s Wainscot, Hot Metal Bridge, and other groovy venues. His short fiction has been honorably mentioned in The Year’s Best Fantasy & Horror, nominated for the SLF Fountain Award, and shortlisted for the Brenda L. Smart Award for Short Fiction. With Janet Chui, Lundberg runs Two Cranes Press, an independent publishing atelier. A graduate of the Clarion Writers’ Workshop and the Creative Writing Master’s program at North Carolina State University, he now teaches English and creative writing at Hwa Chong Institution. His website and blog can be found at jasonlundberg.net.
Susannah Mandel enjoys poetry, bicycling, comic books, movies, languages, and landscapes — in fact with the proper priming she can enjoy just about anything. She is especially hot on science fiction, and looking at things. Susannah has degrees in English literature and media studies (and it may not be over yet), and has worked in research, editing, translation, teaching and linguistics. After time in northern California, Boston, and the north of France, she now lives in Philadelphia, Pennsylvania. She publishes a regular column at Strange Horizons about the fantastic in classic literature.
Tales and Foreign Markets, her website.Alex Dally MacFarlane’s short stories have appeared in Clarkesworld, Lady Churchill’s Rosebud Wristlet, Electric Velocipede, Shimmer, Sybil’s Garage, Farrago’s Wainscot and various other ‘zines; another is forthcoming in Fantasy Magazine. One of her poems received an honourable mention in The Year’s Best Fantasy and Horror, Vol 21. In 2009 she left her job in the UK to go travelling, and is currently in Australia admiring the grass trees and trying to find money for visiting East Asia. To find out more about her writing and wandering, visit
Luc Reid is a past winner of the Writers of the Future Contest and the founder of the online neo-pro writers group Codex. His first book, Talk the Talk: The Slang of 65 American Subcultures was published in 2006. He created and writes for a site with practical articles about how self-motivation works called The Willpower Engine and recently completed a free-to-copy eBook on writing motivation called The Writing Engine: A Practical Guide to Writing Motivation. Luc lives in Williston, Vermont. His Web site is www.lucreid.com.
Angela Slatter is a Brisbane-based writer, schlepping her way through life. Her short fiction has appeared in places such as Lady Churchill’s Rosebud Wristlet, Shimmer, The Lifted Brow, Strange Tales II, 2012, Crimson Highway, Dreaming Again and a few small disreputable bars in London. She likes fairytales and thinks the creepier they are, the better. She is working on a couple of novels, but the one taking her time at the moment is set in Jerusalem during the last years of the Crusader Kingdom – it’s always 1187 in her head.
Jeremiah Tolbert is a web designer, photographer, and writer living in Fort Collins, Colorado. His stories have appeared in Interzone, Ideomancer, Polyphony 4, and All-Star Zeppelin Adventure Stories. He is responsible for the design and maintenance of the Daily Cabal site, so if anything goes wrong, you know who to blame. He blogs on photography, science news, and more at his website.
Edd Vick, the son of a pirate father and a baking mogul mother, is a 2002 graduate of the Clarion SF Writing Workshop. He has had several stories published in Asimov’s SF Magazine. Other magazines to publish his work include Electric Velocipede, Tales of the Tai-Pan Universe, and Jim Baen’s Universe. Anthologies with stories by Edd include Fundamentally Challenged, Distant Planes, and Northwest Passages. He lives in Seattle with SF novelist Amy Thomson and their adopted daughter Katie. Visit him at eddvick.livejournal.com.
Trent makes his living taking drugs for the DEA. Unlike most Americans, he walks to work every day with a spring in his step. His work appeared in The Golden Age SF anthology, Electric Velocipede, Lady Churchill’s Rosebud Wristlet, and BSFA’s Vector. Online work can be found at 3am Magazine, The Angler, EOTU, Lamination Colony, Pindledyboz, Vacancy (audio). Forthcoming are works in Full Unit Hookup, Grendelsong, Legends of the Mountain State, Triangulation, and Visual Journeys. Also forthcoming from Morpo Press, a poetry chapbook called Learning the Ropes. He is the poetry editor of Abyss and Apex.
Jonathan Wood is an Englishman in New York. He writes odd little things that show up in odd little places, like Weird Tales, Fantasy Magazine, Farrago’s Wainscot, and Behind the Wainscot. It’s also forthcoming in Chizine, Beneath Ceaseless Skies, and several anthologies, including Crawlspace: The Best of Farrago’s Wainscot, and Hatter Bones.
She didn’t understand why I had wanted to go to college. She thought I ought to be out there. A special boy like me, finally using his specialness for good. “Don’t be so shy,” she’d hiss, pushing me toward the burning building. “Go save the nuns. Go on!” But I could never do it. Not when everyone was looking at me. Wasn’t that what fire fighters were for?
She figured, once I was 18, once I was a mature adult, I would see that I was put here on earth for a purpose. I wouldn’t hide my light under a bushel any more. Maybe college would just be a phase. She clicked her tongue against her teeth every time she came home and saw me sitting on the couch, when she turned on the news and saw that North Korea still had nuclear weapons, that trains still derailed, that small children everywhere were trapped under various cars.
I said, “What am I supposed to do? There’s no ‘Superhero’ section in the Classifieds.” And she sighed in that disappointed way and waved her hands around her head. She looked old and tired in her nurse’s uniform. She said, “Haven’t I taught you anything? Haven’t I taught you how to make your own way in the world? To forge your own path? When your father left us, didn’t I take care of everything?”
I had to agree there. She had. And I lifted heavy rocks for her, and took care of the gutters—I didn’t need a ladder, and I wasn’t afraid of falling. I cleaned out the sewage drain, because I could hold my breath indefinitely. My x-ray vision found her missing earring; my superspeed saved her cat. And I washed the dishes after dinner, never breaking a single one. But I think the only reason she didn’t kick me out of the house was because she was afraid I’d kill her with my heat vision.
“I got an A on my midterm,” I said, almost hopefully.
“You’re wasting your gifts,” she said. She took the remote and turned off the television.
“I want to be a marine biologist,” I said quietly.
She pursed her lips. “At least you might save a whale,” she said, and went to her room. I don’t care what anyone says–disappointment is way worse than a super villain.
I didn’t see any practical difference when they replaced the bus drivers with chimpanzees. When the grim ladies in the benefits office vanished and octopi took their places I thought it was an improvement. And so it went. In the end, zero human employment wasn’t such a bad thing. The factories ran smoothly staffed by giant spiders and genetically modified prairie dogs. Sylvia and I had our museums, parks, sidewalk cafés, and all the pleasures of a leisured life. I had my games and she had her tableau photography. We loved gallery openings, plays, espresso by the square. We had TIME. All that’s gone now, and I’m a hunted man.
One night I returned to our apartment after spending a couple of pleasant hours playing baseball in the park. I anticipated that Sylvia had prepared a delicious meal – gourmet cooking was a passion of hers. We would settle in at the entertainment portal and launch a beautiful milieu in which to eat our dinner. Maybe Venice before the Melting. I palmed the security pad, slipped inside, and stopped still. I sniffed the air. There was no sound; an acrid scent tickled my nose, and something else. The lights were off.
“Hi honey, I’m home?” My only answer was a faint rustling from the portal area. I flicked on the light.
“Is this a prank?” I think I already knew that it wasn’t. Something a lot like a mantis sat in Sylvia’s favorite chair. Its color matched her skin tone. Its mandibles clacked and a semblance of human speech emanated from its voder.
“This one regrets to inform that the female human has been downsized. This one will function as spouse at greatly reduced expense.”
I was already swinging the bat when the mantis lunged, jaws wide. Dense plastic met chitin-clad protoplasm, and ungodly amounts of green goo mixed with flesh-colored shards splattered everywhere. The mantis’s body jack-knifed across the room, legs thrashing. I dropped the bat and leaped to the chair. Most of Sylvia lay on the floor behind it, in front of the faux bookcase. The carpet surrounded her, wet and brown. I didn’t see her head.
The next thing I remember I was running down the street, bat in hand. I was sticky and I smelled. Everyone else was running too, perhaps for the same reason I was. I heard screams. I’m almost sure they weren’t mine.
Since she was a small child, Kayla had created gods. In fact, anything she worshipped became a God (if it wasn’t already). For example, for three weeks when Kayla was 5 years old a newly raised Cabbage-Patch God had commanded the fealty of all other denizens of the toy shelves. Kayla had since learned to control her adoration, because it quickly became inconvenient to be trailed by a cloud of transitory deities. As a freshman in high school, Kayla seemed cool, sophisticated, maybe a little stuck up. Supernatural powers will do that to a young girl, no matter how sensible she is.
For a while, Kayla worried that any expression of animosity on her part might create demons, or at the very least destroy the people who angered her. It did not take long for her to realize she could hate anyone she liked: nothing would happen. This was a liberating discovery for a teenager. Life is good when you’re young, and imbued with a power most cannot even dream of. Even if you don’t use it. However, there comes a time in the life of every young person when he or she meets someone whose existence becomes as important as life itself.
The marriage of perfect form with flawless function that was Bradley Jones hit Kayla like a ton of bricks. It would be useless to describe his warm green eyes, his exquisite shell-like ears, or his curly auburn locks that Kayla longed to comb with her fingers. His broad shoulders, flat and creamy stomach, his straight and symmetrical nose; these too can be named, but to no purpose. We cannot truly appreciate the effect Bradly had on Kayla unless we remember the heat that caused our hands to tremble on that day long ago when we glanced at someone and realized for the first time that Beauty had come to earth.
“Bradley,” Kayla murmured as he leaned casually against the wall. Her heard pounded so hard dust particles danced with each pulse.
He raised an eyebrow and turned away.
Kayla would do anything for Bradley. Anything. But lest you fear that she created a monster with the power of a god and the self-control of a 17-year-old boy, let me allay your fears. Kayla loved Bradley with all her heart. She worshipped the very ground he walked on.
Friday, May 2nd, 2014
Friday, May 2nd, 2014