Plugs

Jason Erik Lundberg‘s fiction is forthcoming from Subterranean Magazine and Polyphony 7.

Read Daniel Braum’s story Mystic Tryst at Farrgo’s Wainscot #8.

Angela Slatter’s story ‘Frozen’ will appear in the December 09 issue of Doorways Magazine, and ‘The Girl with No Hands’ will appear in the next issue of Lady Churchill’s Rosebud Wristlet.

Edd Vick’s latest story, “The Corsair and the Lady” may be found in Talebones #37.

Archive for May, 2010

Talk to the Frog

Friday, May 21st, 2010

“I think there’s been a mistake with my job placement,” I said, fingering the revolver nervously.

“Oh?” said the frog in the pearl gray suit. He didn’t seem very interested. Or surprised. He just sat behind his desk and leaned back in his emerald green Herman Miller chair, settling his cigar into the corner of his wide mouth. “Why don’t you tell me about it? Have a seat.”

The only seat was a wooden stool half-hidden under a potted ficus. I pulled it out so as not to be actually in the leaves of the ficus as I talked and sat on it. The frog frowned.

“Well, first of all,” I said, “I’m having some trouble working with talking animals.”

“What’s the matter? Skunks giving you lip? That’s just the way skunks are. You’ve got to have realistic expectations. They don’t mean anything by it.”

“It’s more that talking animals exist at all,” I said. “I’m just saying, it’s unnerving. A little beyond my … previous experience.”

The frog smiled widely. “Kind of a surprise, right? I love surprises. God, the stories I could tell you! But OK, beyond your previous experience. What else?”

“Well, there’s this gun,” I said. “I’ve never even shot a gun before. I don’t know–”

“What’s to know? They showed you how to work the safety, right?”

I nodded.

“So you point it, you pull the trigger. Somebody drops dead or they don’t. It’s simple.”

“But why do I have it in the first place? You don’t seriously expect me to shoot it? Who am I supposed to shoot?”

“Anyone. Everyone! It’s not my job, I’m not going to tell you how to do it.”

“Listen,” I said, standing up, “this is completely wrong. Yes, I needed a job, but nobody told me I wouldn’t be able to go back home after I got here. And I don’t want to shoot anybody. I’ve been telling these guys for days that I don’t belong here. They keep telling me I have to wait to talk to you, but you can’t do this, don’t you get that? This is America! You can’t keep a guy locked in a building and tell him to randomly shoot people!”

“No, you listen,” said the frog, leaning forward. “We can do anything we want. You walked in here of your own free will, and if we want to keep you here until you rot, we’ll do it. You’ll do what we say, act like we say, and if we tell you to go around shooting people, you’ll do it.”

“I’m not kidding,” I said. “You’re going to have to let me out of here.”

“And I’m not kidding that you’re not going anywhere,” said the frog. He reached for the intercom button on the phone, probably to call back those two rough-handed baboons who had shown me in.

I shot him.

Well, tried. I raised the gun and pulled the trigger; there was a bang, and then his tongue flicked out and seemed to knock the bullet aside–it was really too fast to see, but the bullet punched into the wall two feet to the side of where I aimed it. I noticed now that there were a few other holes in that wall.

The frog laughed. “That really wasn’t a surprise, but I still enjoyed it,” he said.

“What are you going to do with me now?” I said. “Are you going to kill me?”

“Kill you?” he laughed again, a deep, croaking sound. “I’m promoting you! Just wait ’til you see what I’ve got in mind. You’re a very lucky guy.”

I put the gun down on the stool. I wondered if the promotion came with a raise.

Dragons at Dawn

Thursday, May 20th, 2010

A kilometer outside the fortress of the Green Empress, a small white rabbit huddled naked against a dirty concrete shed cracked with age and bombardment, clutching in her small arms a tiny version of herself: her shivering baby, the only one left alive after the incessant aerial bombings of the Dragonflies over the past four weeks.

The skies were the ever-slate of the Land of Grey Dusk, but the Dragonflies’ explosive ordnance threw up smoke incarnadine and lavender. Overhead, the massive insects droned, searching out any remaining warrens or burrows not yet obliterated by their patrols. The rabbit squeezed her eyes shut and held her little one tight as she dared, her entire body ajitter, anticipating the descending whistle of the ball of light and noise that would destroy her completely.

But instead she heard, “Psst! Over here!”

She eased up her right eyelid and saw a young girl poking her head out of a doorway in the shed, a doorway the rabbit was certain had not been there before. Within was dimness, but the rabbit skittered over and leapt inside onto a dirt floor. The girl slammed the door and the rabbit laid eyes on the motley assortment gathered there in the faint light: a tortoise, a cat, and two person-shaped things with spears.

“We’re looking for the Green Empress,” the girl was saying. “Can you tell us how to find her?”

“Do you mean to kill her?” asked the rabbit.

“What? No! I just need her to send me back home. Why would you want to kill her?”

“She did the same to my lifemate and my dozens of children. To her we’re pests to be exterminated.” Her one remaining bunny trembled and wept silently in her arms.

“Is that so?” said the girl, her facial features set hard and angry. “Well then, I have yet one more thing to discuss with her.”

“And then afterward you will kill her?”

The girl bent down and gently touched the rabbit on the arm. “No. I don’t believe in killing. It wouldn’t bring back your family. But I will make her stop her extermination, and there will be recompense for the survivors, you can be assured of this.”

The rabbit said not in a word in reply, but held out her precious baby to the strange girl, who took her. The rabbit closed her eyes again to concentrate, and despite her exhaustion both physical and mental, she touched her forepaws to the dirt floor and began to dig.

***

(This piece was inspired visually by Lisa Snellings’ evocative eponymous painting, and aurally by Linkin Park’s “Krwlng (Mike Shinoda ft. Aaron Lewis).“)

Creative Commons License

***

Previously:
01: Mini Buddha Jump Over the Wall
02: The World, Under
03: Androcles Again
04: Look Into My Eyes, You’re Under
05: Shiftless, Hopeless
06: Cricetinae’s Paroxysm
07: Wind and Harmony

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