Plugs

David Kopaska-Merkel’s book of humorous noir fiction based on nursery rhymes, Nursery Rhyme Noir 978-09821068-3-9, is sold at the Genre Mall. Other new books include The zSimian Transcript (Cyberwizard Productions) and Brushfires (Sams Dot Publishing).

Read Rudi’s story “Detail from a Painting by Hieronymus Bosch” at Behind the Wainscot.

Edd Vick’s latest story, “The Corsair and the Lady” may be found in Talebones #37.

Jason Fischer has a story appearing in Jack Dann’s new anthology Dreaming Again.

Archive for January, 2010

Smoke-Written

Thursday, January 21st, 2010

Up the ladder so fast she skinned both knees through her dress. Into the cloud oracle’s room. The anonymous note had been right. The smoketeller lay face down in a puddle of his own vomit. Poisoned. Dead. In the brazier that smoldered beside his clenched left hand, enough incense for a whole day half-gone already. The mold-sweet smell so thick Irene felt it on the roof of her mouth.

She went up through the door slowly. Even breathing would change the pattern of the telling, but she couldn’t save it if she couldn’t see it.

She jostled the body over and knelt on the teller’s stool, crouched to put her eyes at the level where the teller’s would have been. Composed herself, and looked. Left to right. Threads of smoke against the velvet wall paper. A tangle of meaning she couldn’t read but could remember. An owl in each corner, marking divinatory quadrants.

A bare lightbulb hung above fizzed like it was about to go out. Irene leaned forward to put its glare out of her eyes, felt its heat on the top of her head. The light flickered; all the smokesigns seemed to jump and blur. She looked faster. The corner with the plaster owl passed, then the corner with the stuffed owl. Signs layered on signs unfurling intertangled in the air, all mapped in her brain.

Looking. Bronze owl. Looking.

Irene had nearly reached the wooden owl when the man came up through the trapdoor wearing assassin’s blacks and an expression of recognition. “You’re that memory artist. Don’t say you ain’t. Not one of those phrenologicals with their lumpy heads and magnets, you’re the one who’s some kind of broken, half-made witch. You were pointed out to me once, and you’re not the only one who can remember. Yes, ma’am, it’s a pity you’re here, a pity you’ve had so long to see what you shouldn’t. A pity I have to do what’s next.”

Irene didn’t answer, just reached up until her hand was hot. In the next second, in the dark, with broken glass in one hand, the brazier in the other, with the assassin’s location as bright in her mind as if she could still see it, and her swinging arms filling everywhere he could be with sharpness and burning, she wondered if the outcome of this moment were recorded in the air around them.

Scary Monsters

Wednesday, January 20th, 2010

What am I doing here?

I knock the door with the butt of my gun three times. I wait. I hear feet on the far side of the door. I hear them hesitate.

“What do you want?” A woman’s voice, not afraid yet. But it’s a voice that knows there are things to be afraid of. It’s a voice that knows there are monsters out there.

That’s why I’m here.

“Gas leak in 15B,” I say. “Just need to check if everything’s OK.”

A pause. Then, “I don’t smell anything.”

“I still gotta check.”

A second pause. This one’s longer.

“Call the super if you want,” I say. “I can wait.”

“No. It’s OK.”

I hear her undo the latch, turn the lock. I ready my gun. She opens the door.

She’s maybe thirty, maybe forty. Dark, shoulder-length hair, eyes placed just a little too wide. But for all she looks like my neighbor, like yours, she isn’t. She’s just another monster.

She opens her mouth. I pull the trigger.

As the bullet leaves the barrel I hear the thing inside of her shriek, see it try to pull it’s way out of her though her mouth, white and segmented as it is, see it try and unwrap its tendrils from behind her hindbrain, try to leave this empty corpse and scamper for the nearest piece of cover.
The bullet hits it in its yellow mouth, between its myriad eyes, and she and it punch apart, tumble to the floor.

Job done.

Then there’s a yell, a scream. A boy runs into view. He sees the woman, the thing that used to be his mother. He screams again. Can’t be more than eight. Doesn’t look more than eight.

Why am I here?

I holster my gun. I turn away, but I can still here his scream. It’s in my head and it won’t get out. It shakes in me as I walk down the hall.That scream from when he knew the truth.

There are monsters out there.

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