Lion City Daikaiju

by Jason Erik Lundberg

That night, Singapore’s landmarks declared war: the Merlion lurched off its concrete pedestal and flooded the riverfront with its eternally gushing masticatory fountain, catching untold numbers of tourists unawares, forced to leave behind their $20 mixed drinks and plates of tapas; the Raffles Hotel, in all its colonial splendor, leapfrogged across the downtown area, knocking over bank buildings and squashing flat petrol tankers and cars plastered with adverts; the twin metallic durians of the Esplanade curled into spiny balls of hedgehog lethality, and rolled over and through every upscale mall they could find, taking especial care to utterly demolish the shopping district on Orchard Road; the National Library took flight and glided to the MediaCorp building, dropping barrages of encyclopedias and folios onto transmissions towers and backup generators, destroying the link between the viewing public and the badly acted and written serial dramas that filled the broadcast airwaves; the twin statues of the country’s patron saint, Sir Stamford Raffles, one dark bronze and one white polymarble, lay seige to every construction crane in evidence, leaping nimbly from structure to structure, leaving bright yellow wreckage in their wake.

Who was to blame, the people cried, why has this happened, could it be Jemaah Islamiyah and that terrorist who escaped, or was it resurgent aggression from Japan, or could it be an intelligent group-mind of dengue-carrying mosquitos, or revenge-seeking Americans with outrage and the image of a public caning in their minds, why oh why is this happening to us, and the people fled in terror, at this revolt by the reminders of the nation’s greatness, as those selfsame landmarks reduced to rubble every symbol of progress, sign of homogenized inclusion with the globalized world, and showing of shallow flash and glam over depth and culture and tradition, and when the sun rose over the tropical island the next morning it was all over, the assault had stopped, the landmarks as still and inert as their previous states, the country no longer globally competitive, but the people did not despair, because as they buried and cremated their dead and began the rebuilding process, they remembered that they had endured the British occupiers, and the tyranny of the Japanese military, and they had arisen to become a global corporate power, and that they would now reinvent themselves into something new and bright and shining, a jewel of the future world, a unique visage of identity.